Sun, 24 December 2006 she sits and plays -
not knowing it's recorded -
a pleasant surprise
___
This is the last of three pieces recorded the night i crashed Wade's gig at Emmajoes Coffeehouse (in 2001 or 2002, i forget exactly when). This is played 'straight ahead' in front of a Live audience.
___
In this piece, 'Exstasis', i sat down at the keyboard and did what i do best: improvise. At first Wade wasn't recording, but said he freaked out and got the MiniDisc machine rolling when he realised 'how good' i was. {This is one of the best compliments i've ever received. A compliment like that from a Musician i admire carries a lot of weight.}
___
He got only the last five minutes of the first suite i played (not complete enough to publish - plus, i can't find the master, which is all i have of it), then he sat down at the analogue modeling console and twiddled whilst i played. I didn't realise he was recording until after we'd finished. I'm so glad he did; this is one of my better improvisations (which i plan to work out on acoustic piano one of these daze). Wade didn't have the room miked, so you can't tell it's Live - except for my mistakes. His MIDI keyboard had a broken 'F' key, midscale, which stuck up at a rude 'excited' angle, which i had to play around - hence, at least two of the obvious flubs i make. But, that's Live. ;-] Enjoy! 'for music hath charms to soothe the savage breast.' (William Congreve) ~joan © MMVI Joan Heath Patrie
... Creative Commons Deed 3.0 (the attribution/non-commercial use/share alike license)
... http://joanpatrie.com |
she sits and plays -
not knowing it's recorded -
a pleasant surprise
___
This is the last of three pieces recorded the night i crashed Wade's gig at Emmajoes Coffeehouse (in 2001 or 2002, i forget exactly when). This is played 'straight ahead' in front of a Live audience.
___
In this piece, 'Exstasis', i sat down at the keyboard and did what i do best: improvise. At first Wade wasn't recording, but said he freaked out and got the MiniDisc machine rolling when he realised 'how good' i was. {This is one of the best compliments i've ever received. A compliment like that from a Musician i admire carries a lot of weight.}
___
He got only the last five minutes of the first suite i played (not complete enough to publish - plus, i can't find the master, which is all i have of it), then he sat down at the analogue modeling console and twiddled whilst i played. I didn't realise he was recording until after we'd finished. I'm so glad he did; this is one of my better improvisations (which i plan to work out on acoustic piano one of these daze). Wade didn't have the room miked, so you can't tell it's Live - except for my mistakes. His MIDI keyboard had a broken 'F' key, midscale, which stuck up at a rude 'excited' angle, which i had to play around - hence, at least two of the obvious flubs i make. But, that's Live. ;-] Enjoy! 'for music hath charms to soothe the savage breast.' (William Congreve) ~joan © MMVI Joan Heath Patrie
... Creative Commons Deed 3.0 (the attribution/non-commercial use/share alike license)
... http://joanpatrie.com
